![]() Vogue pays homage to the late designer.Īlso on Vogue. Rabanne created pieces for the film Deux ou trois choses que je sais d'elle by Jean-Luc Godard, Les Aventuriers by Robert Enrico, Casino Royale by John Huston and Barbarella by Roger Vadim. Rings and rivets replaced strings and buttons, while chainmail dresses drew the shape of a new subversive femininity which seduced stars like Françoise Hardy as well as the film industry. This daring futuristic aesthetic broke with the trends of the time and became the Spanish designer's signature. An engineering graduate, Courrges completed an apprenticeship with Balenciaga before. Marrying fashion and art, the collection was made entirely of industrial materials. Courrges translated the 60s space-craze into clothing, and when at last in 1969, man landed on the moon, Courrges celebrated with a range of mirror-disc stamped overalls, created in the White Salon at his Avenue Klber studio. After studying architecture, the designer presented his first collection, named Douze Robes Importables En Matériaux Contemporains, on February 1st, 1966. It was in 1966 that Francisco Rabaneda y Cuervo, also known as Paco Rabanne, created his eponymous house. We take it back into history to give you an opportunity to get to know the legendary designer. In 1978, they sold the brand to a Japanese license, Itokin unfortunately, it was not an ideal union.Paco Rabanne: The news of his passing took the fashion world by surprise. In 1972, he designed the staff uniforms for the ill-fated Munich Olympics, and a year later, he launched menswear. In 1968, he sold half his company to the beauty giant L’Oréal to help expand his company, and within four years he opened 125 boutiques worldwide and introduced his first perfume, Mr. Robert Rauschenberg was probably the most famous artist to use space imagery front and center, incorporating pictures of astronauts and space capsules into his works in the ’60s. ![]() Longer skirts were swapped for minis, while groovy flared jeans took the place of starch-pressed capris. He opened a factory in Pau to produce his clothes, and in 1967 he married his assistant Coqueline Barrière, whom he’d met at Balenciaga, and they had a daughter named Marie both survive him. The fashion of the 1960s embodied a new, laid-back sense of freedom. “He turns them into little girls!” Of Courrèges' mod mini-skirts, she scoffed: “There is nothing uglier than a knee.”Ĭourrèges’ life and career boomed throughout the 1960s and 1970s. “This man destroys women!” Coco Chanel scoffed. Yves Saint Laurent declared that the Space Age collection hit “like an earthquake.” But not everyone in the fashion establishment loved it - or him. And over the years, his stark silhouette has been referenced by such fashion leaders as Karl Lagerfeld, Marc Jacobs and Moschino. Style icon Audrey Hepburn sported it in the hit 1966 comedy film How To Steal a Million. His followers were legion: Jacqueline Kennedy, socialites the Duchess of Windsor and Gloria Guinness, French pop singers Françoise Hardy and Sylvie Vartan, and French actresses Catherine Deneuve and Brigitte Bardot - all were regular Courrèges customers. The New York Times called it “the brightest blaze of the year” and British Vogue dubbed 1964 “the Year of Courrèges.” The Moon Girl look, as it was known, was cheerful and clean, mostly in clinical white accented with vibrant fruit tones of lemon, lime, raspberry and tangerine. You drive a car,” he explained back then. Back in 1964, when the space race and the women’s movement were still their infancy, Courrèges unveiled his “Space Age” collection of A-line dresses, drop-waist miniskirts, peg-leg pants and flat soled go-go boots.
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